Kelsey Green is great at reading. Her best friends are good at math and running. In this first of three books exploring each of the girls' special talents, Kelsey's class learns that they will be entering a school-wide reading competition, with prizes for the best readers in each class as well as the best class of readers in the entire school. Kelsey desperately wants to beat her class's other star reader, Simon, but she always seem to be a book or two behind, even when she reads the skinniest books she can find on her reading level. To make matters worse, the fifth grade's star readers are carrying their class ever-closer to first place. The only thing Kelsey can do now is try to motivate the reluctant readers in her class to read more books, even if it means being a little bit bossy in the process.
Claudia Mills consistently writes wonderfully relevant school stories at both the chapter book level and the middle grade level. In this story for the early elementary audience, she demonstrates her keen understanding of how children compete with one another, and how acutely aware kids are of reading levels, both their own and those of their classmates. Most elementary school students I know are at least slightly obsessed with reading levels, so for me, this book has its finger firmly on the pulse of what is happening right now. Since kids like to see themselves in the books they read, especially when they are just learning, this feeling that the story is happening right now is really important. I also think Mills does a nice job of creating a flawed character. Kelsey might be the reading queen, but she has a lot to learn about compassion, patience, and good sportsmanship, including how not to be a sore loser.
Interestingly, it's not completely clear from the story itself whether Kelsey herself learns a lesson, but I think the reader definitely does. Through Kelsey's behavior as she tries to teach her classmate, Cody, to love reading, kids learn how to be understanding of the differences between themselves and their classmates, and how to use their strengths to help others, not to show them up in front of everyone in order to be the best.
This book and its companions have a place in every elementary school classroom, and they might be especially useful in those where heavy competition among students of differing abilities has become a problem. Read-alikes for this series include the Polk Street School Kids books and the Clementine series.
Friday, September 13, 2013
Sunday, September 8, 2013
Book Review: The Story of Tracy Beaker by Jacqueline Wilson (1991)
Tracy Beaker lives in a children's home. She has had two failed attempts at making things work with a foster family, but because she is an older child and a bit unruly, she has had trouble making a long-term connection. When she begins writing her life story in a book given to her by the home, she discovers some writing talent, and even has the chance to meet a real-life author, but when it seems like she and the author might just hit it off, she finds that her behavior might keep her from truly enjoying this new friendship.
Tracy is the plucky kind of character kids love to read about, whether they have anything in common with her or not. She is smart-mouthed, funny, sarcastic, and authentic, and her difficult situation gives kids a lot of reasons to root for her right off the bat. She is not always a reliable narrator, but her lies and half-truths are always obvious to the reader, and I think the reader can easily understand that they arise from a desire to protect herself. Even her misbehavior – getting into fights, breaking others' belongings, having angry outbursts – is presented in a realistic way that presents things for what they are, without glorifying disobedience or immediately passing judgment on Tracy as a “bad” kid.
Though this book was originally published in the UK in 1991, it didn't make it to the United States until 2006. Though I suspect the publisher probably could have updated some things to bring the story up to date, there is no obvious evidence that this has been done in the US edition that I read. I recall no references to cell phones or other gadgets, and honestly, I'm not sure Tracy or her friends would realistically have those things even if this book were written today. Everything in the story felt very contemporary, and I think most middle grade readers would feel the same way.
Last year, when I reviewed One for the Murphys, I criticized it for its overly happy ending, which to me, felt forced and unrealistic. The Story of Tracy Beaker seems much more in tune with what a real-life foster care experience might be like, and I think anyone who reads One for the Murphys should read this book as well to ensure a more balanced look inside the lives of kids who are in the foster care system.
There are several other titles about Tracy Beaker, and though they don't seem to be available in the US, I'd definitely like to read them. They include: The Dare Game, Starring Tracy Beaker, Tracy Beaker's Thumping Heart, and Ask Tracy Beaker and Friends.
Tracy is the plucky kind of character kids love to read about, whether they have anything in common with her or not. She is smart-mouthed, funny, sarcastic, and authentic, and her difficult situation gives kids a lot of reasons to root for her right off the bat. She is not always a reliable narrator, but her lies and half-truths are always obvious to the reader, and I think the reader can easily understand that they arise from a desire to protect herself. Even her misbehavior – getting into fights, breaking others' belongings, having angry outbursts – is presented in a realistic way that presents things for what they are, without glorifying disobedience or immediately passing judgment on Tracy as a “bad” kid.
Though this book was originally published in the UK in 1991, it didn't make it to the United States until 2006. Though I suspect the publisher probably could have updated some things to bring the story up to date, there is no obvious evidence that this has been done in the US edition that I read. I recall no references to cell phones or other gadgets, and honestly, I'm not sure Tracy or her friends would realistically have those things even if this book were written today. Everything in the story felt very contemporary, and I think most middle grade readers would feel the same way.
Last year, when I reviewed One for the Murphys, I criticized it for its overly happy ending, which to me, felt forced and unrealistic. The Story of Tracy Beaker seems much more in tune with what a real-life foster care experience might be like, and I think anyone who reads One for the Murphys should read this book as well to ensure a more balanced look inside the lives of kids who are in the foster care system.
There are several other titles about Tracy Beaker, and though they don't seem to be available in the US, I'd definitely like to read them. They include: The Dare Game, Starring Tracy Beaker, Tracy Beaker's Thumping Heart, and Ask Tracy Beaker and Friends.
Sunday, August 25, 2013
Book Review: Just As Long As We're Together by Judy Blume (1986)
I don’t remember many first lines of books that I’ve read, but somehow I’ve never been able to forget “Stephanie is into hunks,” which is the first sentence of Judy Blume’s 1986 middle grade novel Just As Long As We’re Together. I’ve also never been able to forget that the “hunk” who hangs above Stephanie’s bed is a young Richard Gere, whom Stephanie has named Benjamin Moore after the paint brand. Throw in a supposed talking dog, an exercise video involving “gluts” and a ninth grader nicknamed Jeremy Dragon, and that is basically the complete picture of what I remember about this book from childhood.
Just As Long As We’re Together is the story of Stephanie Hirsch, a seventh grader, who has two best friends. Rachel has been her best friend pretty much all her life, and Alison is new in town. As their seventh grade year unfolds, Stephanie and her friends endure the usual growing pains, including questions over whether someone can have more than one best friend. Stephanie herself faces issues surrounding her weight, her period, her parents’ troubled marriage, her brother’s nightmares about nuclear war, and of course, boys.
I was a little nervous that this book wouldn’t hold up for me as an adult, but it turns out I had nothing to worry about. From that silly first line, I was hooked on Stephanie’s voice all over again, and I found myself eagerly zipping through each chapter. I was surprised by how little plot there really is, but not at all surprised that a character-driven story about friendship would be the one I would choose as a favorite. I like that the story drifts from episode to episode, slowly exploring every facet of Stephanie’s life. I like that things unfold organically, and that there doesn’t seem to be any real rush to finish the story or make an important point. Judy Blume has a talent for making the everyday seem interesting and for giving girls positive fictional role models for navigating early adolescence. I could relate completely to Stephanie, and to most of her experiences, and the fun of reading the book was really just getting to spend time with a character I really liked. It was like checking back in with an old friend after twenty years and finding she hasn’t changed a bit.
Just As Long As We’re Together is one of the tamer Blume novels, and I think it’s appropriate for girls as young as eight or nine. There is also a sequel, Here’s to You, Rachel Robinson, and both books have been combined into one volume entitled BFF, which has a much more updated cover than my old paperback edition. Despite some of the outdated references, I think the issues explored in this book are still relevant to today’s tween audience, and Blume can be trusted to handle them honestly and authentically.
Just As Long As We’re Together is the story of Stephanie Hirsch, a seventh grader, who has two best friends. Rachel has been her best friend pretty much all her life, and Alison is new in town. As their seventh grade year unfolds, Stephanie and her friends endure the usual growing pains, including questions over whether someone can have more than one best friend. Stephanie herself faces issues surrounding her weight, her period, her parents’ troubled marriage, her brother’s nightmares about nuclear war, and of course, boys.
I was a little nervous that this book wouldn’t hold up for me as an adult, but it turns out I had nothing to worry about. From that silly first line, I was hooked on Stephanie’s voice all over again, and I found myself eagerly zipping through each chapter. I was surprised by how little plot there really is, but not at all surprised that a character-driven story about friendship would be the one I would choose as a favorite. I like that the story drifts from episode to episode, slowly exploring every facet of Stephanie’s life. I like that things unfold organically, and that there doesn’t seem to be any real rush to finish the story or make an important point. Judy Blume has a talent for making the everyday seem interesting and for giving girls positive fictional role models for navigating early adolescence. I could relate completely to Stephanie, and to most of her experiences, and the fun of reading the book was really just getting to spend time with a character I really liked. It was like checking back in with an old friend after twenty years and finding she hasn’t changed a bit.
Just As Long As We’re Together is one of the tamer Blume novels, and I think it’s appropriate for girls as young as eight or nine. There is also a sequel, Here’s to You, Rachel Robinson, and both books have been combined into one volume entitled BFF, which has a much more updated cover than my old paperback edition. Despite some of the outdated references, I think the issues explored in this book are still relevant to today’s tween audience, and Blume can be trusted to handle them honestly and authentically.
Friday, August 23, 2013
Book Review: Lulu and the Cat in the Bag by Hilary McKay (2013)
Lulu might love her animals, but her grandmother, Nan, who is staying with Lulu and her cousin Mellie while their parents take a trip, does not feel the same way. When the girls find a bag on the front porch in which someone has left a marigold-colored cat, Nan is adamant that the cat must not come in the house. But Lulu can never abandon an animal in need, and she is sure that with a little time and persistence, she can convince Nan to love – and maybe even keep – the adorable stray.
The true testament to the quality of these books is that I, who am not an animal lover, keep coming back to them and loving them from beginning to end. I enjoyed watching Lulu's antics with her found duck egg in her classroom at school. I loved her relationship with the dog she found on the beach during vacation. And I am just as pleased by this story about the cat she finds at home, and how she comes to care for it.
It's not just the subject matter that makes this series a success – it is McKay's way of getting inside the mind of her main character and her talent for describing her characters' thoughts and interactions. I love her description of Nan as “”little and snappy and quick and kind” and the way she depicts the cat: “A glow-in-the-dark orange cat with eyes like lime-green sweets. Paws like beanbags. A tail like a fat feather duster.” These simple, yet beautiful, sentences stick with readers and paint clear pictures in their minds. McKay has mastered the important art of writing sentences beginning readers can decode without sacrificing the beauty of the language.
Lulu and the Cat in the Bag is another wonderful installment to the Lulu series that is sure to charm established fans and drum up some new ones. Recommend it to cat lovers, and to any little girl who wants to make a brand-new fictional friend.
The true testament to the quality of these books is that I, who am not an animal lover, keep coming back to them and loving them from beginning to end. I enjoyed watching Lulu's antics with her found duck egg in her classroom at school. I loved her relationship with the dog she found on the beach during vacation. And I am just as pleased by this story about the cat she finds at home, and how she comes to care for it.
It's not just the subject matter that makes this series a success – it is McKay's way of getting inside the mind of her main character and her talent for describing her characters' thoughts and interactions. I love her description of Nan as “”little and snappy and quick and kind” and the way she depicts the cat: “A glow-in-the-dark orange cat with eyes like lime-green sweets. Paws like beanbags. A tail like a fat feather duster.” These simple, yet beautiful, sentences stick with readers and paint clear pictures in their minds. McKay has mastered the important art of writing sentences beginning readers can decode without sacrificing the beauty of the language.
Lulu and the Cat in the Bag is another wonderful installment to the Lulu series that is sure to charm established fans and drum up some new ones. Recommend it to cat lovers, and to any little girl who wants to make a brand-new fictional friend.
Monday, August 12, 2013
Book Review: The Golden Day by Ursula Dubosarsky (2013)
At a girls’ school in Sydney, Australia one beautiful afternoon in the late 1960s, a group of girls go with their teacher, Miss Renshaw, to the gardens, supposedly to write poems. While there, Miss Renshaw invites them to talk with the gardener, a conscientious objector named Morgan, who is himself a poet. Morgan leads the girls and Miss Renshaw into a nearby cave, supposedly to explore aboriginal paintings. The girls come out of the cave, but Miss Renshaw never reappears. Forever linked by their teacher’s disappearance, the eleven girls in Miss Renshaw’s class struggle to make sense of her fate, even years later when they finish their time at school.
There is no real way to capture the haunting beauty of this book in a simple synopsis. While the plot is significant, what makes this book remarkable is the beauty of the language and the author’s eerie, otherworldly tone. I was with the girls in every moment of the story. I could envision every moment, from their innocent gathering under the tree with Morgan, to the loss of one of the girls’ hats on the hike to the cave. Later, when they return to school, I felt as though I could hear the footsteps of teachers and administrators climbing the stairs to Miss Renshaw’s classroom. I could see their concerned faces, and feel the guilt the girls felt as they were torn between keeping a secret and helping to possibly save their teacher. The book took over all of my senses, and I felt like I was swimming in it, enjoying wave upon wave of its gorgeous prose and psychologically compelling storyline.
Adult readers might find that Miss Renshaw is similar in some ways to Miss Jean Brodie from the Muriel Spark novella and the film based on it. Indeed, I imagined Maggie Smith in the role of Miss Renshaw almost the entire time I was reading, and though the content of this story is not as mature, Miss Renshaw and Miss Brodie are both equally unsettling figures. I actually think The Golden Day is such a sophisticated novel that adults can enjoy it just as much as kids. Though the characters are roughly the equivalent of fourth graders for most of the story, I think the best audience for the book is actually slightly older. Middle school readers, especially, will be drawn to the creepy mood of the story, and the moral implications of Miss Renshaw’s behavior. I think this would be an interesting book to read aloud, or to discuss in book clubs. When I finished the book myself, I instantly wanted to know other readers’ opinions on it, and I suspect young readers will feel the same way - especially given the story’s unexpected and ambiguous conclusion.
The Golden Day is one of the best books I’ve read in 2013, and it’s likely to stick with me for a long time to come. Though it’s not eligible to win the Newbery because the author is not a U.S. resident, it is just as distinguished as any book that has won Newbery recognition, and I recommend it very highly to readers from grade 5 to adulthood.
There is no real way to capture the haunting beauty of this book in a simple synopsis. While the plot is significant, what makes this book remarkable is the beauty of the language and the author’s eerie, otherworldly tone. I was with the girls in every moment of the story. I could envision every moment, from their innocent gathering under the tree with Morgan, to the loss of one of the girls’ hats on the hike to the cave. Later, when they return to school, I felt as though I could hear the footsteps of teachers and administrators climbing the stairs to Miss Renshaw’s classroom. I could see their concerned faces, and feel the guilt the girls felt as they were torn between keeping a secret and helping to possibly save their teacher. The book took over all of my senses, and I felt like I was swimming in it, enjoying wave upon wave of its gorgeous prose and psychologically compelling storyline.
Adult readers might find that Miss Renshaw is similar in some ways to Miss Jean Brodie from the Muriel Spark novella and the film based on it. Indeed, I imagined Maggie Smith in the role of Miss Renshaw almost the entire time I was reading, and though the content of this story is not as mature, Miss Renshaw and Miss Brodie are both equally unsettling figures. I actually think The Golden Day is such a sophisticated novel that adults can enjoy it just as much as kids. Though the characters are roughly the equivalent of fourth graders for most of the story, I think the best audience for the book is actually slightly older. Middle school readers, especially, will be drawn to the creepy mood of the story, and the moral implications of Miss Renshaw’s behavior. I think this would be an interesting book to read aloud, or to discuss in book clubs. When I finished the book myself, I instantly wanted to know other readers’ opinions on it, and I suspect young readers will feel the same way - especially given the story’s unexpected and ambiguous conclusion.
The Golden Day is one of the best books I’ve read in 2013, and it’s likely to stick with me for a long time to come. Though it’s not eligible to win the Newbery because the author is not a U.S. resident, it is just as distinguished as any book that has won Newbery recognition, and I recommend it very highly to readers from grade 5 to adulthood.
Sunday, August 4, 2013
Book Review: Walk Two Moons by Sharon Creech (1994)
If you had asked me in 1995 (when I was 12) what my favorite book was, the answer most likely would have been Walk Two Moons by Sharon Creech. Though I think I only read it once, I remember just falling in love with it, and even now, it’s a book I identify as a favorite when kids ask me what books I loved as a kid. Surprisingly, despite my devotion to the book for nearly 20 years, when I sat down to think about it, I didn’t have very many memories of it at all. I remembered the main character’s name, Salamanca Tree Hiddle, and that she and her grandparents are on a road trip to find Salamanca’s mother, and that they call Sal their “chickabiddy,” but these are basically the only details my mind held onto. I’d forgotten that the road trip is only half the story, and that Salamanca actually narrates another story as she travels with her grandparents. The tale is that of her friend, Phoebe Winterbottom, Phoebe’s mother, and their involvement with an apparent lunatic.
Two things about this re-reading of a childhood favorite struck me right away:
The story itself also seems more predictable to me now, possibly because I read and analyze so many children’s books. I didn’t remember the details of the plot, but as each event unfolded, I could see where things were going. I also think I am just a more careful reader now than I ever was as a kid, because my child self was shocked to learn that Sal’s mother is dead, but my adult self picked it up early on, the first time Sal says her mother is “resting peacefully.” I can’t tell whether the author intends for the reader to know this information early in the story or not - but it was interesting how obvious it was to me now and how clueless I was back then.
Re-reading this book was kind of a personal let-down because the story didn’t inspire the same strong sense of excitement I remember from back in the 90s, but without regard for my nostalgia, I think the story still holds up very well. As Newbery winners go, it’s one of the more readable stories, and I think kids are still drawn to this book - and Creech’s writing in general - even as we approach the 20-year mark since Walk Two Moons was first published.I doubt this is a book I’ll feel any need to revisit again, but I’m glad to have a new perspective on what was once my favorite book in the world.
Two things about this re-reading of a childhood favorite struck me right away:
- I didn’t enjoy the story itself as much.
- I appreciated the quality of the writing more.
The story itself also seems more predictable to me now, possibly because I read and analyze so many children’s books. I didn’t remember the details of the plot, but as each event unfolded, I could see where things were going. I also think I am just a more careful reader now than I ever was as a kid, because my child self was shocked to learn that Sal’s mother is dead, but my adult self picked it up early on, the first time Sal says her mother is “resting peacefully.” I can’t tell whether the author intends for the reader to know this information early in the story or not - but it was interesting how obvious it was to me now and how clueless I was back then.
Re-reading this book was kind of a personal let-down because the story didn’t inspire the same strong sense of excitement I remember from back in the 90s, but without regard for my nostalgia, I think the story still holds up very well. As Newbery winners go, it’s one of the more readable stories, and I think kids are still drawn to this book - and Creech’s writing in general - even as we approach the 20-year mark since Walk Two Moons was first published.I doubt this is a book I’ll feel any need to revisit again, but I’m glad to have a new perspective on what was once my favorite book in the world.
Sunday, July 28, 2013
Book Review: The View from the Cherry Tree by Willo Davis Roberts (1975)
Rob's older sister, Darcy, is getting married, and everyone in the household is caught up in the preparations. Wanting to stay out of the way, Rob climbs into the cherry tree between his house and the house of the lady next door, Mrs. Calloway. While there, he overhears Mrs. Calloway talking with a man, and the next thing he knows, she's been pushed out the window and sent to her death! Rob is absolutely sure of what he has seen, but when he reports the dead body to his family, everyone believes he is inventing the murder story to make things more interesting. The police then declare the death accidental. But the killer knows that Rob speaks the truth about what he has witnessed, and now Rob's life is in danger, too!
I am pretty sure I read this book as a kid, because the title and author have both stuck with me for a long time, but reading it this summer felt a lot like reading it for the first time. I think some of the memories I might have associated with this story are actually of another book by Willo Davis Roberts, Babysitting is a Dangerous Job, because there was almost nothing at all familiar about this book, even though I kept expecting to recognize something. At some point, I will need to read the other one to see if it sparks anymore memories.
While I remember this as being a highly suspenseful book with a great twist at the end, it isn't really. For an adult reader who is familiar with the mystery genre, this story is actually fairly straightforward, and it isn't difficult to predict who the killer will turn out to be. Because the story is told in the third person, the reader never fully experiences Rob's fear as he is shot at and nearly poisoned. The situations that unfold once the killer starts trying to attack Rob are scary, but the reader is distanced from the main action because he watches it from the outside. I imagine the reason for this distance might be a desire to protect young readers from getting too upset by the story, but for me, it took away from the overall drama of the book.
Willo Davis Roberts was a household name for my sister and me during the brief window of time when we both read middle grade books, and I'm pleased to see that many of her books are still in print and still available in my local libraries. That said, without any particular sense of nostalgia associated with it, this book fell flat for me, and I was a bit disappointed that I didn't have the feeling of satisfaction at the end that I so clearly remember from childhood.
I am pretty sure I read this book as a kid, because the title and author have both stuck with me for a long time, but reading it this summer felt a lot like reading it for the first time. I think some of the memories I might have associated with this story are actually of another book by Willo Davis Roberts, Babysitting is a Dangerous Job, because there was almost nothing at all familiar about this book, even though I kept expecting to recognize something. At some point, I will need to read the other one to see if it sparks anymore memories.
While I remember this as being a highly suspenseful book with a great twist at the end, it isn't really. For an adult reader who is familiar with the mystery genre, this story is actually fairly straightforward, and it isn't difficult to predict who the killer will turn out to be. Because the story is told in the third person, the reader never fully experiences Rob's fear as he is shot at and nearly poisoned. The situations that unfold once the killer starts trying to attack Rob are scary, but the reader is distanced from the main action because he watches it from the outside. I imagine the reason for this distance might be a desire to protect young readers from getting too upset by the story, but for me, it took away from the overall drama of the book.
Willo Davis Roberts was a household name for my sister and me during the brief window of time when we both read middle grade books, and I'm pleased to see that many of her books are still in print and still available in my local libraries. That said, without any particular sense of nostalgia associated with it, this book fell flat for me, and I was a bit disappointed that I didn't have the feeling of satisfaction at the end that I so clearly remember from childhood.
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