Sunday, May 27, 2012
Back in the Fall, when I reviewed Back When You Were Easier to Love, I wrote, “The right book is the one that just fits. It clicks with [the] reader in a way that makes her feel as if the book was written specifically for her. “ I haven’t felt that way about a book in a while, but I definitely did have that feeling while reading The Moon By Night. I really identified with Vicky’s journey and felt that many of her internal and emotional experiences mirrored my own. In fact, while the road trip is of course an interesting storytelling vehicle, I think the emotional journey was the more compelling aspect of this book. I like, for example, the way Vicky characterizes her need for time away from her family:
It was about time for me to be alone for a while. On a camping trip you’re falling over each other twenty-four hours a day. Most of the time it’s fine, but every so often you need to get out. You have to go off by yourself or you just stop being you, and after all I was just beginning to be me. Sometimes, like that evening at Palo Duro with the scouts yelling back and forth as if they owned the place and nobody else had a right to be there, I felt that doing nothing but be with the family was making me muffiny, though we’re not a muffiny family. So that’s not really what I mean. I guess what I mean is, I felt they were sort of holding me back, keeping me from growing up and being myself. (p. 70)
The reference to “muffins” comes from the Anti-Muffins chapter in Meet The Austins, but is also briefly explained in this book - probably due to the fact that "The Anti-Muffins" was removed from the original text and replaced later on. I love L’Engle’s understanding that a teenager can love her family and still want to be apart from them, and I loved the philosophical nature of the idea that “you just stop being you” in the presence of others. I can recall having feelings such as these at the age of fourteen, but I never had words for them until now.
I also really like the way the road trip provides opportunities for the Austin family to see how the outside world looks at them, and how they differ from families and groups in the rest of the country, and even outside of their country. Zachary, for whom all the Austins except Vicky feel little affection, is the most threatening example of this, because he embodies a fatalistic outlook that the Austins have never really considered or encountered. Other characters pose similar puzzles, though - especially the “hoods” who harass the Austins at one of their first campsites and some Canadians they meet who have decidedly negative opinions of American tourists.
As with the two L’Engle titles I’ve already reviewed, this one, too, has a spiritual side. The title of the book comes from Psalm 121, in which Vicky finds great comfort:
The Lord is thy shade upon thy right hand.
The sun shall not smite thee by day
Nor the moon by night. The Lord shall preserve thee from all evil;
He shall preserve thy soul.
The Lord shall preserve thy going out and thy coming in
from this time forth, and even for evermore.
Vicky also has an important conversation with Douglas about her doubts about the existence of God, which touches on the questions all faithful Christians face - mainly, how we are to believe in God when there is no definitive proof of his existence. Speaking to this conundrum, Douglas makes some of the most significant comments of the entire book, at least as far as Vicky’s religious life is concerned. He says that “People should never try to make God in man’s image,” and that “without [God] we’re just a skin disease on the face of the Earth.” He encourages Vicky to believe despite her lack of understanding and ultimately plants the seed that allows Vicky to realize the sentiment expressed in my single favorite line from the book:
The point was that now I knew it didn’t matter whether or not I understood. It didn’t matter because even if I didn’t understand, there was something there to be understood.
There are some things about this book that unquestioningly date it to the 1960s - the concern over impending war, Mr. Austin’s dislike of women wearing pants, the fact that Grace Kelly is still alive - but the themes are as relevant to fourteen-year-olds - and to adults, too - now as they ever were. This review, though already on the lengthy side, really only scratches the surface of what this book has to offer; I have no doubt that future re-readings will shed light on layers and connections that didn’t surface for me in this first reading.
I very highly recommend The Moon By Night, especially to people of religious faith. It’s also a great summer vacation story, and the perfect book for quirky kids who often find themselves on the margins, even of their own families.
Sunday, May 20, 2012
Abigail, Bainbridge, Calandra, Dagwood, Eberhard, Faustine, Gardenia, Hannah, Ira, and Janthina Rosso come from a family with a lot rules. There's the rule about naming kids that leads to them having so many unusual ones. There are the rules about shelving books in alphabetical order, and always placing clean laundry on the bottom of a drawer to allow the clothes to wear out evenly. But the one rule every one of the kids wants to change is the "no pets" rule. Ten kids is enough, Mrs. Rosso says, but that doesn't stop her children from trying their hardest to infiltrate an animal - any animal - into the family.
I was drawn to this book in childhood because of my obsession with Ann M. Martin's Baby-sitters Club series, and my secret wish to have an army of brothers and sisters. I come back to it as an adult thanks to a friend of mine from work, who purchased a copy and then lent it to me. Interestingly, my childhood and adult reading experiences of this book differ greatly. I actually think the differences are greater for this book than for any other I've read for Old School Sunday.
The first thing I realized right off the bat is that I really wanted to diagnose Mrs. Rosso. Her various systems - especially the one for naming the kids - seemed quirky and fun to me as a kid, but now make me instantly fearful for her mental health. Maybe this is because I've read a few books about parents with mental health issues, so I was more likely to notice her odd patterns of behavior, but I definitely found myself wondering why her kids and husband don't have more concerns about the many rules and regulations that run the household. I understand the "no pets" thing - I myself fully intend to be a "no pets" parent when the time comes - but everything else seemed over the top. (Incidentally, Ann M. Martin does sort of have a tendency to write about parents with weird over the top quirks. Remember Dawn's mother in the BSC books (specifically Dawn and the Impossible Three)? She was constantly putting her keys in the fridge and losing shoes and whatever else. It's interesting to compare her with Mrs. Rosso. )
Another thing I apparently missed on my multiple childhood readings of this book was the now-obvious fact that every chapter involves an animal. What fascinated my child self was the size of the family, their freedom to wander the grounds of their new country home, and yes, their strange names and nicknames. Apparently, this fascination caused me to ignore completely the kids' quest for a pet. Quite frankly, both as a child and as an adult, I didn't care whether they ever got the pet. I was much more interested in their family dynamics. I can't believe I missed the obvious attempts of the kids to find and keep a pet, since that is clearly the point of the story - but I can't say I'm surprised. I often missed the point of books I read in childhood.
The third surprise for me was the fact that the story is not told by the kids in descending age order. I was sure the kids appeared in the book in alphabetical order, but this is not even close to being true. Abbie is first, but the orderly progression ends there - and thank goodness! I'd hate to start diagnosing Ann Martin too.
This book is somewhat dated - mainly because of its references to record and tapes - but by no means completely irrelevant. Desire for a pet and schemes to acquire one occur in generation after generation, and today's kids are as likely to understand it as kids my own age were back when I first read it (1991 or so). It's also a great book for kids like me who have one sibling but wonder now and then what it would be like to have eight more. In that sense, it's a nice read-alike for The Penderwicks, Cheaper By the Dozen, The Sisters Club, and other sibling-oriented tales. Also, there is a sequel, Eleven Kids, One Summer, which I'm planning to read very soon. Both are out of print, but not very hard to find in used book stores, in libraries, and online.
Sunday, May 13, 2012
I really was not crazy about this book when I first started reading it. I felt very distanced from the characters, after becoming so attached to them in the earlier books, and I found the separation of these imagined Walkers from the “real” ones to be very jarring. I was actually thankful for each footnote Nancy, Roger, and others provided, because it gave me a much-needed glimpse back into the “real” narrative. The latter half of the book did pick up quite a bit, and once I was invested in the excitement of the adventure I stopped worrying about the lack of continuity between this story and the ones before and just enjoyed seeing everything unfold and come together.
One thing I really like is the way Ransome maintains the sense of safety and security established by Swallows and Amazons and Swallowdale. Though many truly dangerous situations arise in Peter Duck, the Walkers and Blacketts are never in the line of fire, so to speak. Allies and enemies created in their imaginations take a few bullets and blows, but the Swallows and Amazons themselves mostly enjoy the ride with few real problems. Instead, their focus is on the experience of living and working aboard a real ship, and on their imaginary friend, Peter Duck.
I’m glad I didn’t skip this book because the writing is quite lovely, but I’m also glad to be done and ready to move onto the next book, Winter Holiday.
Friday, May 11, 2012
As the series progresses, though, Greg Heffley stops being cute and morphs into someone who is anything but a wimpy kid. By the sixth book, Cabin Fever, I ran out of excuses for his behavior and started wondering why anyone wants to read about him, let alone spend time with him. The fact is, Greg Heffley is kind of a jerk.
For one thing, his treatment of Rowley - and the fact that Rowley always comes back for more - is a huge problem for me in these books. The reader hears Greg discuss bullies again and again. His older brother bullies him. Bigger kids at school bully him and other smaller kids. But the biggest bully of the entire series is Greg himself! He uses Rowley for his own purposes, and then just as easily tosses him aside when he doesn’t need him. And we never see anyone comment that this is wrong. Rowley does stand up for himself now and then, but it never seems to take, because he’s always right back there, showing up on Greg’s doorstep with cookies, or bailing him out of trouble. And worst of all - the books often use these moments to poke fun at Rowley. We laugh so much at Rowley for being such a nerd, and so babyish in his behavior, and the end result is that we glorify Greg’s bullying, while still vilifying bullies who pick on wimpy kids.
And it’s not just Rowley who elicits this jerky kind of behavior from Greg. He treats his family disrespectfully. He doesn’t take his schoolwork seriously. Often it seems like he is not even trying to improve himself, or to do the right thing. And I think that’s what has made me actually start to dislike him. Most heroes in children’s books are appealing because they have some innate good qualities that keep readers rooting for their success. The Dork Diaries series has a main character who is not always on her best behavior, but who is constantly trying to break out of the patterns that cause her problems. Dear Dumb Diary’s Jamie has a pretty abrasive personality, but it’s always easy to see that underneath it all, she wants to do well and to have friends and to be happy. Even a character like Horrible Harry has a sweet side, and his anti-social behavior can be explained by events from his life.
But what do kids see in Greg? Are they amused by him because his behavior is so over the top and unlike their own? Do they think of him as wimpy, or do they realize Rowley is being mistreated, and that this isn’t okay? I don’t like to criticize books for setting a bad example. Good behavior is usually boring to read about, and kids don’t automatically start doing things they read about in books. Kids who read a lot of books get exposed to a lot of different points of view, and usually they have their own opinions about right and wrong, which are informed by outside forces and then imposed upon the books. But children’s books also provide a lot of cues on how to read certain characters that help us know who are the villains, and who are the heroes, whose behavior society accepts and whose is reprehensible. My issue with Diary of a Wimpy Kid is that the cues lead us in a dubious direction. We receive the message that one type of bullying is wrong, because we call it bullying, and another type is okay, because we don’t call attention to it.
I think the bottom line is that Greg’s attitude is getting old. The success of a story is often defined by how a character grows and changes. I don’t see a real story arc for Greg. The jokes have grown stale, and what used to be funny now reads as a sad testament to immaturity and an unwillingness to start growing up and accepting responsibility for one’s actions. Middle school is a time of great change, and I think the books become less believable and less interesting with each story that comes and goes without Greg growing even the tiniest bit.
My hope is that Diary of a Wimpy Kid fans recognize that Greg is not a role model, and that they don’t internalize the mixed messages. I also hope that teachers, librarians, and parents, take the opportunities the books present to discuss some of the issues I’ve mentioned and to work on better, more practical, and more realistic solutions to the problems Greg faces. Kids read these books for entertainment, and there’s nothing wrong with that, but that doesn’t mean it would hurt to remind them of that line between fiction and reality and to teach them how to think critically about Greg's behavior and its consequences.
Tuesday, May 8, 2012
For the most part, reading this book was really enjoyable. I have always loved stories told through documents and letters, and I like the deep level of character development that comes from this format. The characters know nothing about each other, so every letter gives a little more insight into their unique personalities, which helps the reader get to know them, too. I also learned a lot about immigrant culture in New York, rent control, mountaintop removal, Appalachian culture, and Indian language, food, and customs. It was interesting to see how the introduction of each new idea helped to shape and reshape Meena’s opinion of River, and his of her.
My criticism, though, is that this happens too easily. Meena and River are at times irritatingly good kids, whose minds are always open, and whose every mistake is immediately corrected. At times, they do fight in their letters, but they are both portrayed as so level-headed that it doesn’t take much time - at least not in the narrative- for their friendship to bounce back. I also had a hard time understanding why they thought of each other as best friends so quickly. I thought part of the point of the story was going to be that over time, two different kids can become best friends because they come to a mutual understanding of each other’s backgrounds and beliefs. Instead, that close friendship came on suddenly, and the deeper level of understanding came later on. That just seemed somehow backward to me.
The value of the story, though, is that it undermines the instant gratification of modern technology and argues for the relevance of writing meaningful messages to one another and waiting anxiously for the replies. In a world where friends text more than they talk face to face, it’s important for kids to see the importance of those deeper conversations that bring unlikely pairs closer together and help each of us understand, on the larger scale, how we’re all connected by our experiences as humans.
This book obviously has an agenda and a particular political point of view, which promotes activism, criticizes government, and laments society’s unfairness toward marginalized groups. There’s nothing inherently wrong with that except that sometimes - especially in the latter half of the book - the agenda overpowers the story. River performs an act of defiance that puts him suddenly in the spotlight in a way I found irritating, and from then on, his story takes center stage, while Meena’s ends uncertainly and without fully satisfying the reader’s curiosity.
Despite these flaws, though, I think the book is very thought-provoking and will start up a lot of wonderful conversations for classes, book clubs, and families who read it as a group. If nothing else, it drives home the point that none of us is so different that we can’t make a connection, if only our minds and hearts are open to reaching mutual understanding and respect.
Monday, May 7, 2012
Recently, I read all six Mercy Watson books. As is often the case when I finally get around to reading a popular series, I discovered that some of my preconceptions about this one were completely off-base. Here is what I now know about the Mercy Watson books:
I really loved reading these books. The formula wherein Mercy’s love for toast gets her into trouble, but then ends with the whole neighborhood sitting down to eat toast, never gets old because DiCamillo continually approaches it from different angles. The gentle stories evoke innocence, but also keep the reader entertained, and the quirky small-town characters are the kind of people any reader would want to meet in real life. I very highly recommend these books to first-, second- and third-graders and the adults in their lives.
- Mercy is not a talking pig. She is a “porcine wonder,” as her owners, Mr. and Mrs. Watson, often say, but she is a pet living in the real world, and as such, she does not have any magical powers that make her talk. We are privy to many of her thoughts - most of which involve her love of buttered toast - but even these are related in the third person and do not resemble sophisticated human thoughts.
- Most of the human characters in the series are not children. The story is set on Deckawoo Drive where the Watsons live, and the most involved characters are the Watsons, their elderly next door neighbors, Eugenia and Baby (so named because she is the younger sister), and the various emergency personnel involved in rescuing Mercy from her various adventures, including a police officer, two firemen, and an animal control officer. Each of the characters often behaves in a way that is very child-like, but they are all grown-ups, with the exception of two children who appear briefly in a couple of the books.
- The language in the books is very rich. Kate DiCamillo has such a distinct voice, and I hear it loud and clear in these books, in the same way that I hear it in Bink and Gollie. The sophistication of the vocabulary she uses, and of the way she puts together sentences makes it hard to categorize these books. My previous library had them in easy readers; we treat them as fiction in my current one. But neither category is a perfect fit because the books are just so unique. No one else writes like this, and Cynthia Rylant is the only other author I can think of who writes about adults as her main characters.
- Mercy Watson is living in the 1950s. The references are very subtle, but they’re there. The convertible which Mercy accidentally drives in Mercy Watson Goes For a Ride is obviously old-fashioned, and the Watsons’ kitchen has a definite 1950s decor. Chris Van Dusen’s illustration style and color palette are even kind of retro, making the series stand out as unusual - and delightfully so - even more.
Sunday, May 6, 2012
The story, as most children’s literature readers know, is of awkward, plain adolescent, Meg Murry, and her quest to find her father. With the help of strange beings known as Mrs. Whatsit, Mrs. Who, Mrs. Which, the Happy Medium, and Aunt Beast, and a popular boy from school named Calvin O’Keefe, Meg tessers through time to find him, face her own feelings of inadequacy, and bring him home.
This is the first science fiction novel I read, when I was forced to explore the genre in library school, and therefore it’s the first book that made me realize how interesting it can be to combine ordinary, everyday occurrences with the possibilities posed by scientific speculation. This book is especially significant for me, because it explores that science through a religious and spiritual lens. Madeleine L’Engle imagines a God-infused universe, in which everything has meaning, and everything communicates, but not always in terms humans can grasp. She also recognizes, above all, the power of family, the struggle to accept oneself, and the fact that sometimes, our weaknesses can become our strengths.
I think the reason the book is so popular, and cited so often as a childhood favorite, is that kids really relate to Meg’s feelings of plainness and insignificance, and that they see themselves in her actions and hope they, too, could rise to the occasion in the hour of need. It also has hints of adventure and romance that pull in readers of those genres as well.
Another thing I really liked, which I noticed mostly because I read Meet the Austins and A Wrinkle In Time back to back, is the number of similarities between these two books. Both focus on families where a father has gone away - Maggy’s is dead, Meg’s missing. Both involve a close brother-sister relationship. Meg’s affection for Charles Wallace very closely mirrors Vicky’s for Rob. I also noted that Meg’s mother is a scientist, while Vicky’s dad is a doctor, and that John Austin and Meg both fret quite a bit about fitting in at school and finding a way to feel good about their strangeness. The Tesseract, a website devoted to L’Engle’s life and work includes on its FAQ page the question, "What is Madeleine L'Engle's personal philosophy?" Part of the answer provided by site author reads, “What kinds of evil do her characters fight, and who fights them? How do her characters feel about family, God, friendship, love, and being themselves? These are all clues to the philosophy of Madeleine L'Engle.” I think the recurrence of the same themes in A Wrinkle In Time as in The Austins represents L’Engle grappling with these very questions, telling the same story from different angles in an effort to get at the truth.
Madeleine L’Engle was truly an original writer. I love her worldview, her writing style, and her religious curiosity, and I suspect some new favorites are waiting for me in this L'Engle-themed to read pile. Next up is The Moon by Night, the second book about the Austins.
Friday, May 4, 2012
This book is small and short, but very powerful. The most remarkable thing about it is the author’s ability to immerse the reader in the naive mindset of a child raised in a socialist society. It can be hard for kids to connect with history in a personal way because textbooks are written in such dry, analytical language. This book teaches kids everything they could want to understand about living under Stalin, but it does so by appealing to emotions and experiences, rather than listing a litany of facts without context. Yelchin really drives home the fear and unfairness of totalitarianism by showing the way kids in Sasha’s school are punished, even for the smallest accidental infraction, such as knocking over a statue. I was absolutely riveted by the entire story, and worried, as events progressed, for Sasha’s future.
I’m really thankful to the Newbery committee for recognizing this book because otherwise, I’m certain I would have missed it. There aren’t many historical fiction novels out there that expose kids to the darker side of humanity, and this one’s honesty is much appreciated. I also noticed that Yelchin used humor very carefully, but very effectively, to keep hope alive for the reader, even in very dark and disturbing moments.
Breaking Stalin’s Nose is very well done, and will appeal to kids right up through their teens.